글로벌 세계 대백과사전/사회 I·문화재/현대사회의 대중과 사상/현대대중사회/갬 블
글로벌 세계 대백과사전/사회 I·문화재/현대사회의 대중과 사상/현대대중사회/갬 블
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The prose version of Hayward seemed to have been accepted as the standard, in default of anything more satisfactory: the English critics, generally sustaining the translator in his views concerning the secondary importance of form in Poetry, practically discouraged any further attempt; and no one, familiar with rhythmical expression through the needs of his own nature, had devoted the necessary love and patience to an adequate reproduction of the great work of Goethe's life. The care and conscience with which the work had been performed were so apparent, that I now state with reluctance what then seemed to me to be its only deficiencies,--a lack of the lyrical fire and fluency of the original in some passages, and an occasional lowering of the tone through the use of words which are literal, but not equivalent. The present participle can only be used to a limited extent, on account of its weak termination, and the want of an accusative form to the noun also restricts the arrangement of words in English verse.
The prose translator should certainly be able to feel the manifestation of this law in both languages, and should so choose his words as to meet their reciprocal requirements. Hayward's prose translation. Where all the restraints of verse are flung aside, we should expect, at least, as accurate a reproduction of the sense, spirit, and tone of the original, as the genius of our language will permit. Poetry, indeed, may be distinguished from Prose by the single circumstance, that it is the utterance of whatever in man cannot be perfectly uttered in any other than a rhythmical form: it is useless to say that the naked meaning is independent of the form: on the contrary, the form contributes essentially to the fullness of the meaning. The English language, though not so rich as the German in such rhymes, is less deficient than is generally supposed. The difficulty to be overcome is one of construction rather than of the vocabulary. He shall not leave the spot alive.
Because plenty of people do not need adequate blood to interact in demanding action having a comprehensive abdomen, the human body will rebel at first by generating you really feel terrible, but That is an envisioned reaction. I want the gang to feel itself nicely handled, Specially because it lives and lets me live; The posts are set, the booth of boards finished. Ye crowd a lot more in close proximity to! My own process has actually been cheered by the invention, the much more intently I reproduced the language of the first, the more of its rhythmical character was transferred concurrently. I sense impelled, its that means to determine,-- With truthful function, as soon as for all, The hallowed Initial To change to my beloved German. Perfectly-created you are, 'tis to not be denied, The remainder a Daring deal with will earn you; In the event you but in you confide, Simultaneously confide all others in you. As a result, all which you as Sin have rated,-- Destruction,--aught with Evil blent,-- That is my appropriate ingredient. Hayward's completely omits the factor of poetry.
Hayward's ear didn't dictate to him the necessity of preserving the original rhythm. I honor him to the client and conscientious labor he has bestowed upon his translation,--I are not able to but feel that he has himself illustrated the unsoundness of his argument. Poetry is just not only a manner of expression: it is the type of expression Definitely demanded by a specific course of Thoughts. The English ear is suspicious of recent metres and unaccustomed forms of expression: you can find important detectives to the monitor of each writer, along with a violation of your acknowledged canons is accompanied by a summons to judgment. In Poetry which endures by means of its own inherent vitality, there is no pressured union of both of these factors. The creator's considered is stripped of a last grace in passing by way of his mind, and commonly offers very much a similar resemblance to the original as an unhewn shaft on the fluted column.
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